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Melanie Martinez’s album ‘PORTALS’ puts the fun in funeral
David Matos
, Arts & Life Editor
April 4, 2023
The power of feminine divine through Kali Uchis’ ‘Red Moon in Venus’
Samantha Nunez
, Staff Writer
April 4, 2023
Fall Out Boy’s ‘So Much (For) Stardust’ returns to classic, yet fresh sound
Ashley Pelletier
, Podcast Host
March 28, 2023
Creepy can be comforting: The power of ‘Scream’ and cult horror franchises
Jennifer Moglia
, Staff Writer
March 21, 2023
Miley Cyrus’ ‘Endless Summer Vacation’ promotes authenticity
David Matos
, Arts & Life Editor
March 21, 2023
Journey through hell with Hozier’s new EP
Zoe Leone
, Associate Arts & Life Editor
March 21, 2023
Hoodie Allen’s ‘bub’ redefines his music career
Ethan Hurwitz
, Sports Editor
March 21, 2023
Mac Demarco’s ‘Five Easy Hot Dogs’ should be appreciated for what it is.
Zachary Carter
, Staff Writer
February 22, 2023
‘This Is Why’ pop punk revival needs to step it up
Michael LaRocca
, Opinion Editor
February 14, 2023
There’s something ‘Special’ about Lizzo
Zoe Leone
, Associate Arts & Life Editor
February 7, 2023
Lil Yachty’s ‘Let’s Start Here’: A welcomed surprise
Joe Baske
, Contributing Writer
February 7, 2023
SZA’s ‘SOS’ doesn’t need any saving
Michael LaRocca
, Opinion Editor
December 11, 2022
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