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AJR’s ‘The Maybe Man’ works through the growing pains of life
Carleigh Beck
, Copy Editor
November 14, 2023
‘1989 (Taylor’s Version)’ is never going out of style
Zoe Leone
, Arts and Life Editor
October 31, 2023
Robot bears and jump scares: Enjoy a shift at ‘Five Nights at Freddy’s’
Jennifer Moglia
, Staff Writer
October 31, 2023
Ten years of ‘3005’: The impact of Childish Gambino’s existential anthem
Connor Youngberg
, Associate Multimedia Editor
October 24, 2023
Two voices, one person: The Adam Ulanicki story
Jason Bupp
, Staff Writer
October 24, 2023
Bad Bunny chases GOAT status with new album
Aidan Sheedy
, Photography Editor
October 24, 2023
Tell them how the crowds went wild for ‘Taylor Swift: The Eras Tour’
Zoe Leone
, Arts and Life Editor
October 17, 2023
Edgar Allan Poe meets Big Pharma in Netflix’s ‘The Fall of the House of Usher’
Jack Muscatello
, Digital Managing Editor
October 17, 2023
‘Gilmore Girls’: the epitome of fall
Angie Camozzi
, Contributing Writer
October 17, 2023
If you want blood, you’ve finally got it
Tyler Platz
, Contributing Writer
October 10, 2023
‘PAW Patrol: The Mighty Movie’ is explosive chaos
Aidan Sheedy
, Photography Editor
October 10, 2023
‘The Creator’: An ironic tale of AI integration
Jack Muscatello
, Digital Managing Editor
October 3, 2023
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